The line "You fight for freedom from devotion/A battle that will always begin" could mean that people often struggle to reconcile their desire for independence with their need for connection or spirituality. The third verse alludes to the idea of an afterlife and the difficulty of expressing one's feelings or thoughts about it. The repeated reference to counting time or running out of time could be interpreted as a reminder that life is finite and that one should make the most of it. The following lines describe a state of confusion or indecision, with the narrator being asked by angels whether they are lost or just treading water. The image of a "candy colored frown" suggests that even positive things can have a downside or a hidden sorrow. The next verse warns against being fooled by "precious moments" or by happiness that may conceal deeper problems. The line "Here it comes, strawberry sponge/Chasing away the sun" could symbolize the transient nature of pleasure and the fact that it can eclipse or hide the truth. The opening lines "When you're standing on the side of a hill/Feeling like you didn't be done" seem to convey a sense of dissatisfaction or incompleteness, which the rest of the song tries to address. The lyrics of Scissor Sisters's song "Intermission" touch on various themes such as the impermanence of happiness, the struggle for freedom, the futility of first impressions, and the acceptance of death. Now there's never gonna' be an intermission With somebody giving you a piece of advice You want to tell someone the way that you feel That is when you hear the song falling from the sky While I hope that one day Scissor Sisters may show this kind of range, no band can be expected to achieve such a feat over the course of only a few years and a couple albums.And you're going on your fifteenth bender In fact, the Brothers Gibb were most protean in their talents, and anyone who bothers to look into it will discover the multitude of great pop songs in a variety of formats that they have written and produced for themselves and other artists (i.e., Barbra Streisand, Kenny Rogers, etc.). *This statement is not meant to imply that a group incorporating only elements of the celebrated disco-era Bee Gees would be successfully "reviving" the band. Bee Gees revivals should happen more often anyhow.* While Ta-Dah isn't quite worthy of the 4-rating that I would have given their introductory manifesto, it's great and will please their fans. They are about pushing gender boundaries, taking your mama out dancing with you, and not being afraid to express yourself as you'd like, even in our currently conservative climate. To deprive Scissor Sisters of any impact beyond this is a bit short-sighted anyhow. We need more music like this in the world. Sometimes, I just need something incredibly tuneful and vibrant to pick me up, or at least carry me along, and this stuff is capable of just that. So, maybe Scissor Sisters aren't for every TMT reviewer (or reader), but for me, they're a great outlet for pent up energy. How about being surprised by nice melodic composition, assertive production techniques, and an unabashed desire to have some fun? Music genres are built and 'destroyed' and reimagined everyday in self-feeding cycle, and to expect surprise through radical subversion is to be going to pop music for all the wrong reasons. It tries to take on a slightly more old-timey tone with tracks like "Intermission" and "I Can't Decide," but really still has some bad-ass sassiness, exemplified most vividly on "Kiss You Off" and "Ooh." But then I read the droopy review of the first album and just had to respond.Īlright, so what if Scissor Sisters aren't challenging the conventions of pop music? How much does any band really do that? Whether its mental masturbation via lyrics or via incorporation of noisier elements into the music, these are all tricks that get reproduced again and again, and hardly anyone can really claim to be breaking new ground in the "indie" scene nowadays. What I wanted to say was that as electric and exciting as the Sisters were in their first foray into the pop scene, the second album just couldn't live up to it (which it doesn't quite). Re-reading comments on the eponymous debut of Scissor Sisters a couple years back frustrated me upon finishing my first draft of this review of their sophomore effort, Ta-Dah. This may be the first time that I've ever let the previous TMT review of a group affect my review.
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